By Jihoon Kim
Grounding its examine in interdisciplinary framework of movie reports, media reviews, and modern artwork feedback, Between movie, Video, and the electronic offers a clean perception at the post-media stipulations of movie and video lower than the pervasive affects of electronic applied sciences, in addition to at the an important roles of media hybridity within the inventive approaches of giving start to the rising sorts of the relocating photograph. Incorporating in-depth readings of modern works by means of greater than thirty artists and filmmakers, together with Jim Campbell, invoice Viola, Sam Taylor-Johnson, David Claerbout, Fiona Tan, Takeshi Murata, Jennifer West, Ken Jacobs, Christoph Girardet and Matthias Müller, Hito Steyerl, Lynne Sachs, Harun Farocki, Doug Aitken, Douglas Gordon, Stan Douglas, Candice Breitz, between others, the ebook is the basic scholarly monograph for figuring out how electronic applied sciences concurrently depend upon and fluctuate movie past time-based media, and the way this juncture of similarities and variations indications a brand new regime of the artwork of the relocating image.
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Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age (International Texts in Critical Media Aesthetics) by Jihoon Kim