By Allen Meek
This publication provides an ancient account of media and disaster that engages with theories of biopolitics within the paintings of Michel Foucault, Giorgio Agamben, Michael Hardt, Antonio Negri and others. It explains how responses to disaster in media and cultural feedback over the last one hundred fifty years are embedded in organic conceptions of lifestyles and demise, illness and immunity, race and species. Mediated disaster is usually understood this present day by way of collective reminiscence and based on healing or redemptive bills of trauma. not like those methods this booklet emphasizes using media to list, archive and study actual visual appeal and flow; to trap viewer consciousness via surprise; to watch and keep watch over our bodies in economies of creation and intake; to enmesh social kinfolk in info networks; and situate topics in discourses of victimhood, immunity, survival and resilience. Chapters are concerned with historic case reviews of early images, Nazi propaganda, colonial stereotypes, Hiroshima, the Holocaust, the chilly conflict and the warfare on terror.
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Extra resources for Biopolitical Media: Catastrophe, Immunity and Bare Life (Routledge Research in Cultural and Media Studies)
Biopolitical Media: Catastrophe, Immunity and Bare Life (Routledge Research in Cultural and Media Studies) by Allen Meek